filmmaking

The Guardian

Milly Alcock’s Kryptonian hero bops baddies with a superdog in tow, while the Devon band return with another collection of all-caps rock Supergirl Out now Milly Alcock dons the spandex to play Kara Zor-El, AKA Supergirl, in the second film in the DC Universe (a soft reboot of the DC Extended Universe courtesy of James Gunn and Peter Safran), which sees the Man of Steel’s cousin travelling the gal…

artsfilm
News from California, across the nation and world - Los Angeles Times
News from California, across the nation and world - Los Angeles Times
The Guardian

Reese Witherspoon’s 00s movie is a beloved cult classic – and now she’s using a spinoff to battle these dark times. The creators of Elle talk miniskirts, car phones and why people need to take teenage girls more seriously If there’s a young adult romance on TV, we millennial women will watch it. Throw in a love triangle or an emotionally available hockey player having an open conversation about c…

artsfilmliterature
The Guardian

The film-makers and stars of the Dallas Cowboys Cheerleaders docu-series explain the sisterhood and fights for fair pay behind the pompoms It’s been 30 years since the Dallas Cowboys – who have long billed themselves as America’s Team – won the Super Bowl. But now, thanks to Greg Whiteley’s Netflix docu-series America’s Sweethearts: Dallas Cowboys Cheerleaders, the most reliable and globally reco…

artsfilm
The Guardian

Coinciding with a fallow year for the festival, these scenes filmed in 1993 record a youth culture innocent of camera phones and low on corporate hype With Glastonbury in a fallow year, anyone missing their dose of West Country bacchanalia will have to settle for this handsome documentary, remastered in 4K and rereleased for its 30th anniversary. Shot at the 1993 festival, it serves as a heady cu…

artsdocumentaryfilm
The Guardian

There are flashes of low-rent fun to be had here but a busy script makes it feel like a limited series inelegantly cut down to movie length Strung is a cautionary tale about following your gut. Directed by Malcolm D Lee – the under-heralded virtuoso behind Girls Trip, Barbershop and other fine franchises – the Peacock suspense thriller stars Chloe Bailey as Laila, a classical violinist with her s…

artsfilm
The Guardian

Larry David is back with a typically cranky look at America’s first 250 years – and it could not be any more starry. Plus: a brave documentary about the chilling crimes of the prolific sex offender and children’s TV host There’s starry, and then there’s getting Barack Obama to cold-open your new show. Still, while he has impressive friends these days, Larry David is still Larry David – as this ir…

artsfilmliterature
The Guardian
Hollie Richardson·...·Priya Elan and Hannah J Davies
1d ago

Madge returns to Koko in Camden, where she played her first UK gig. Plus: the 110th anniversary of the Battle of the Somme. Here’s what to watch this evening 10.40pm, BBC One In 1983, Madonna played her first ever UK show at Camden Palace (now Koko). It’s only right, then, that she returns to the venue for this world-exclusive interview to mark her big comeback with her new album, Confessions II …

artsfilmmusic
Lifeboat News: The Blog
The Guardian

It’s won all the awards and now it’s going out in a blaze of comedy. Everything that could possibly go wrong for the restaurant does … but who cares when the fusion of tragedy and laughter is this good? It may not be a gastronomic reference many midwestern gourmands would appreciate, but the last episode of the last season of The Bear was Marmite TV. Set in the back yard of the titular Chicago re…

artsfilm
The Guardian

Apollo theatre, London Stephen Mangan, Sarah Hadland, Ardal O’Hanlon and Janie Dee are seat-shakingly funny in this study of adultery Alice and Michel must conceal their affair from possibly suspicious spouses Paul and Laurence, sometimes under detective level interrogation. Florian Zeller’s The Truth is a modern French farce that adds to the form’s physical comedy a metaphysical dimension about …

artsfilmtheater
The Guardian

Matt Johnson and Jay McCarrol’s (non-Cobain affiliated) movie feels like Jackass via Back to the Future. They talk about how the supreme silliness was stressful to film, and how times have changed since their ‘tasteless’ 2007 web series If there is ever a Rock & Roll Hall of Fame for fictional bands, the likes of Spın̈al Tap and the Rutles will be guaranteed a place. Less certain is the fate of t…

artsdigital-mediafilm
The Guardian

Narrator Rory Kinnear fully inhabits Klaus Kinski’s fury in this depiction of the irascible actor’s ill-fated performance in Berlin In 1971, the German actor Klaus Kinski performed a theatrical monologue called Jesus Christ Saviour at the Deutschlandhalle arena in Berlin, but things didn’t quite go to plan. A controversial figure in his lifetime, Kinski was irascible, egomaniacal and prone to vio…

artsfilm
The Guardian

So-called final outing for Johnny Knoxville and his daring, stunt-hungry pals might be close to a greatest hits reel, but there are enough laughs to warrant the nostalgia The boy-men of Jackass , a three-season MTV comedy-stunt show turned periodic and beloved film series, have shown a willingness to engage in all manner of rectal probing in the name of shock laughs. (Perhaps most famously, Ryan …

artscomedyfilm
The Guardian

As the former teen heartthrob turns 60, we look at his most intense, ironic, lovable roles – from a sympathetic scientist to a peevish puppeteer It’s the Great Depression à la Disney when a tomboy, Natty, rides the rails in search of her lumberjack father. This marked the first time I saw Cusack, impressive as a wise young hobo, though not the first time I saw Natty’s wolf-dog companion: it’s Jed…

artsfilm
The Guardian

Spectacular shootouts and even broad comedy are packed into this Woo’s fierce 1986 thriller of vengeance and loyalty The title of this John Woo 1986 action classic is taken from the 1985 Taiwanese charity single Tomorrow Will Be Better, released in the spirit of the west’s Live Aid and a huge pan-Asian hit. It is poignantly performed in one scene by a choir of sweet schoolchildren; their innocenc…

artsfilm
The Guardian

As a new retrospective opens, collaborators of the Mikey and Nicky film-maker explain how she blazed a trail for female directors in Hollywood In 1975, after more than two years of sifting through footage, Elaine May was still in the weeds editing her deeply personal gangster film, Mikey and Nicky , and Paramount Pictures and its CEO Barry Diller were losing patience. In a desperate move to retai…

artsfilm
The Guardian

There’s more than a whiff of Taken in Kenji Tanigaki’s exhilarating martial-arts movie, in which a handyman goes after some evil people traffickers It keeps happening: every few years, usually during a run of lethargic Hollywood spectacles, the Overton window of screen violence gets recalibrated by a muscular wonder from the east. Thundering along in the bloody footsteps of the Raid films and the…

artsfilmliterature
The Guardian

A Hungarian immigrant family grapple with oppositional defiant disorder in Sophy Romvari’s intimate and unshowy debut feature The past folds into the present in this very fine debut feature from Canadian film-maker Sophy Romvari, which has grown in my mind on a second viewing, having first come across it at last year’s Locarno film festival. It is an autobiographical, in fact autofictional, movie…

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