When a Rothko Becomes More Than a Painting This spring, the market once again reminded the art world that Mark Rothko remains one of the defining figures of twentieth-century art. At Christie’s New York, No. 15 (Two Greens and Red Stripe) (1964), formerly owned by legendary patron and former Museum of Modern Art president emerita […]

Beyond Color Fields: Mark Rothko’s Silence, Scale, and the Sacred
Jorge Pozo
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