Tipped by Lorde and Billie Eilish, the New York musician twists sublime folk and chaotic synths into bewitching new shapes At first Shane Lavers can’t get through. Then he’s on video call but I cannot speak. When we finally make a clear connection over the phone, I can hear that he’s surrounded by nature, with faint snatches of birdsong at the edge of his measured, slightly gravelly speech. The musician who performs both in and as Chanel Beads (it remains unclear even to its core members whether

Haunted hooks and bone-chilling screams: how Chanel Beads became the indie breakout of the year
Harry Tafoya

