theatre

The Guardian

The actor commands the stage in Tom Morris’s striking production of Shakespeare’s tragedy, while Rachel Zegler and Ben Platt unite for The Last Five Years When David Harewood was offered the lead in Othello in a new West End production, he found he still knew his lines from almost 30 years earlier, when he became the first black actor to play the role at the National Theatre. Harewood brings prof…

artsperforming-artstheatre
The Guardian

Wicked star’s one-woman West End show was stopped in response to an increasingly common problem for theatres A performance of Dracula in the West End on Monday night was halted after its star, Cynthia Erivo, spotted that an audience member appeared to be filming the show. A representative for the production, in which Erivo plays all 23 roles, confirmed that there had been a short stop caused by t…

artstheatre
The Guardian

Tron theatre, Glasgow Frances Poet’s music-driven drama reconstructs the Greenock dispute that saw 240 workers square up to bosses It was the early days of the Thatcher project. At the start of 1981, the free-market chill was about to lay waste to the Linwood car plant, Bobby Sands was beginning his fatal hunger strike and formerly militant unions were feeling cowed by the implications of the 198…

artstheatre
The Guardian

Royal Court theatre, Liverpool Writer-actor Aron Julius captures the sparkling charm of Liverpudlian fighter John Conteh in a punch-by-punch account of his career Don King is singing the praises of his new signing. The boxing impresario, played by Zach Levene with an extravagant bouffant, sees something special in John Conteh , the light-heavyweight champion. It is a talent that goes beyond the r…

artsperforming-artstheatre
The Guardian

Churchill theatre, Bromley James M Cain’s hard-bitten novella gained bleak power on screen but this version, giving Mischa Barton her UK stage debut, loses its flinty edge The West End’s woeful High Noon showed how hard it is to put a western on stage. How about another rugged American genre, the film noir? James M Cain’s cynical, gripping 1936 novella was sharpened for the 1944 movie by director…

artsdramaliteraturetheatre
The Guardian

The play about Mozart’s jealous rival – a co-production with the Welsh National Theatre set up by the actor last year – will open in Cardiff before a 16-week run in London’s West End Michael Sheen will return to the West End to star in a revival of Peter Shaffer’s award-winning Amadeus, opposite Callum Scott Howells as Mozart. Directed by Jeremy Herrin, the production will open at New Theatre Car…

artsperforming-artstheatre
The Guardian

Abbey, Dublin An unnamed narrator recollects a 1970s childhood of institutional brutality and sectarianism in this allusive memory play Language is twisted and slippery in Frank McGuinness disturbing new memory play for the Abbey theatre. As an unnamed narrator, Man (Ryan Donaldson) looks back on his 1970s youth during the Troubles in Northern Ireland, he says that the past “does not belong to me…

artsliteraturetheatre
The Guardian

Dance House, Cardiff Tudur Owen’s Welsh-language play about a second world war veteran is unashamedly heartfelt and anchored by very fine performances This play by Tudur Owen tells the story of a curmudgeonly second world war veteran, an unexpected windfall, a clogged toilet and an entire Welsh village’s trip to London in 1994. It has the air of a fable that veers into more anguished terrain. PTS…

artstheatre
The Guardian

Tony award-winning actor will play lead role of Judith Bliss in Noël Coward’s comedy at Wyndham’s theatre in London Christine Baranski is to make her West End debut alongside Richard E Grant in a revival of Noël Coward’s comedy Hay Fever. The US star, known for her TV roles in The Good Fight and The Gilded Age , says she is looking forward to “tearing a passion to tatters” in the 1925 play about …

artstheatre
The Guardian

Shaftesbury theatre, London Twenty years since its West End debut, the sweetly subversive musical returns with a few tweaks and a lot of heart The trigger warning “puppet nudity” does not begin to cover it. You will also see puppets having sex, singing about being “a little bit racist” and gleefully owning up to their predilections for porn. Avenue Q’s cute subversiveness is back, 20 years after …

artsmusicaltheatre
The Guardian

Old Vic theatre, London Director Clint Dyer brings a fresh political focus to Ken Kesey’s story of disempowerment but the relentless misogyny of the text feels retrograde When Randle P McMurphy is thrust into an American psychiatric hospital in the early 1960s, the torpid air begins to crackle. As the anarchic McMurphy, Aaron Pierre gives a storming performance but although Clint Dyer’s stirring …

artsliteraturetheatre
The Guardian

James Earl Jones theatre, New York There’s a strong emotional pull to this fact-based story of injustice, but on stage it’s all a little too polite to truly soar If the meat and potatoes of Death of a Salesman comes at too high a ticket cost, one needs venture only a few blocks south and a half-block east to get a (slightly) more affordable version of standard-issue Broadway fare. The Fear of 13,…

artsdramatheatre
The Guardian

Traverse theatre, Edinburgh Jess Brodie’s monologue about life on the brink of parenthood is both witty and gripping There are few transitions in life more profound than becoming a parent. Out go late nights and long lie-ins. In comes responsibility. It is an experience that demands redefinition, turning you from cared-for to carer, solo player to team captain. Even as it approaches, you know it …

artsperforming-artstheatre
The Guardian

St James Theatre, New York The hilariously deranged riff on Titanic loses some scrappy charm in its Broadway transfer According to its creators, the idea for Titaníque, the extremely campy Céline Dion jukebox musical now open on Broadway , originated as a drunken riff between friends – what if the Québécois Queen of Feelings not only sang the theme song of the movie Titanic , but sincerely believ…

artsmusictheatre
The Guardian

On productions ranging from Les Liaisons Dangereuses to John Proctor Is the Villain, an army of technical wizards help ensure London’s stage productions are believable and spectacular What does it take to create a giant chandelier on stage, decked out with more than 100 perfectly balanced, flickering candles? What about a disco floor that dazzles the audience in a play’s final moments but is hidd…

artsdesigntheatre
The Guardian

New Vic theatre, Newcastle-under-Lyme A residents’ association fights to save its housing in Bob Eaton’s jolly slice of social history, with a live band belting out the songs At some point in the middle of the second half, you notice how insinuatingly Bob Eaton’s show has taken a hold of you. Until then, you have no reason to see it as more than one of those jolly slices of social history, the ty…

artstheatre
UMaine News

Rosalie Purvis, lecturer in theatre and director at the University of Maine, adapted and directed “The Courage to Right a Woman’s Wrongs,” a 17th-century Spanish play by Ana Caro Mallen […]

artstheatre
College of Liberal Arts and Sciences
UGA Today
UGA Today
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