We’re Nothing at All review – bus explosion sets off Hong Kong drama of grief, prejudice and queer identity
Phuong Le
A disaster on Valentine’s Day sets off a sprawling tale of hidden lives and social fault lines in director Herman Yau’s ambitious ensemble drama Prolific Hong Kong film-maker Herman Yau is back with an ambitious, sprawling drama that is, at best, an awkward composite of his past works. We’re Nothing at All kicks off with a moment of rupture: on a seemingly ordinary Valentine’s Day in Hong Kong, a double-decker bus suddenly bursts into flames. The deadly explosion triggers a police inquiry led by