Working with handmade pinhole cameras built from wood, cardboard, and brass, Jacob Eyal Danon creates photographs that reject speed, sharpness, and certainty. Shooting on expired film and developing every image himself in the darkroom, he embraces unpredictability as an essential part of the photographic process rather than something to correct. After relocating from Israel to rural northern Portugal, his work became deeply shaped by migration, displacement, and the emotional condition of living