The Migrant Homemaker: Historicizing Gender between Nations in Yamina Benguigui’s <i>Inch’Allah dimanche</i>

Document Type Article Abstract This article examines Yamina Benguigui’s film Inch’Allah dimanche (2001) to probe questions of gender and nation in the context of transnational migration. An analysis of the historical drama, which recounts an Algerian family’s reunion in France during the 1970s, reveals how the migrant homemaker must negotiate her symbolic role as “bearer of the nation” in relationship to not one but two nations: the homeland left behind and the new homeland. This filmic study...